There is nothing that is intended to be a waking moment. There have been countless dream sequences in the movies, almost all of them conceived with Freudian literalism to show the characters having nightmares about the plot. "Mulholland Drive" isn't like " Memento," where if you watch it closely enough, you can hope to explain the mystery.
WATCH MULHOLLAND DRIVE MOVIE
The movie is hypnotic we're drawn along as if one thing leads to another-but nothing leads anywhere, and that's even before the characters start to fracture and recombine like flesh caught in a kaleidoscope. Having told you all of that, I've basically explained nothing. One of the scenes also contains the funniest example of pure logic in the history of sex scenes. Anderson) gives instructions by cell phone two detectives turn up, speak standard TV cop show dialogue, and disappear a landlady (Ann Miller-yes, Ann Miller) wonders who the other girl is in Aunt Ruth's apartment Betty auditions the two girls climb in through a bedroom window, Nancy Drew style a rotting corpse materializes, and Betty and Rita have two lesbian love scenes so sexy you'd swear this was a 1970s movie, made when movie audiences liked sex. A movie director ( Justin Theroux) is told to cast an actress in his movie or be murdered a dwarf in a wheelchair (Michael J. As they try to piece her life back together, the movie introduces other characters. Rita doesn't remember anything, even her name. She crawls out of the wreckage on Mulholland Drive, stumbles down the hill, and is taking a shower in the aunt's apartment when Betty arrives. Rita ( Laura Elena Harring) is a voluptuous brunet who is about to be murdered when her limousine is front-ended by drag racers. Betty ( Naomi Watts) is a perky blond, Sandra Dee crossed with a Hitchcock heroine, who has arrived in town to stay in her absent Aunt Ruth's apartment and audition for the movies.
0 kommentar(er)
